• Cynthia Freivogel Violin Sheet Music
• Cynthia Freivogel Violinist
• Cynthia Freivogel Wikipedia
• Cynthia Miller Freivogel

Vivaldi’s Concerto for solo baroque violin and strings in G Minor, “Summer” (L’Estate, RV 315), performed on original instruments by Cynthia Miller Freivogel and the Early Music ensemble Voices of Music. 4K, ultra high definition video. Special thanks to Meg Bragle! Vivaldi printed Italian sonnets for each of the Four Seasons. The original Italian is available as well as an English translation in the video: just click the CC button to turn them on and off or select the language. Voices of Music FAQ

Q. How can I support Voices of Music?

B A E F#m D Bm C# F# G#m C#m D#m F Chords for Telemann Fantasia for Violin Solo, Allegro: Cynthia Miller Freivogel with song key, BPM, capo transposer, play along with guitar, piano, ukulele & mandolin. Cynthia Freivogel, Violin. Caring eyes and sincere smile and funny body language.i love your performance.thanks! Passion in each movement, I do really enjoy.

A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one 🙂 These videos cost thousands of dollars to make, and the money comes from individual donors.

Q. Where can I buy CDs?

Cynthia Freivogel Violin Sheet Music

1. Cynthia Freivogel;Karen Flint;Douglas McNames - Violin Sonatas Opus 5, 1-6 by Cynthia Freivogel (2010-04-21) - Amazon.com Music.
2. Please subscribe to our channel Concerto for two violins, strings, and basso continuo in D Mino.
3. Please subscribe to our channel Concerto for two violins, strings, and basso continuo in D Mino.

A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html

Q. Why are there no conductors?

A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both 🙂

Q. What are period instruments or original instruments; how are they different from modern instruments?

A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.

Q. Why is the pitch lower, or higher?

A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC

Cynthia Freivogel Violinist

Vivaldi’s brilliant concerto is here presented complete in 4K, ultra high definition video, performed on original instruments. For this video, a new edition was prepared from the original sources, prints and manuscripts for Vivaldi’s music.

Voices of Music is creating a worldwide digital library of music videos, recordings and editions, free for anyone in the world. To support this vital project, which will enable new generations of people all around the world to enjoy Classical music, please consider a tax-deductible donation or sponsor a recording project.

With your help, anything is possible!

Cynthia Freivogel Wikipedia

Voices of Music continues our groundbreaking work as a pioneer in the new field of Ultra-High definition video. Although the Four Seasons is the most recorded work in Classical music, this is the first time that the work is made freely available in this format, and performed on period instruments. Your donations will keep the presses running! Voices of Music Hanneke van Proosdij & David Tayler, directors Cynthia Miller Freivogel, baroque violin by Johann Paul Schorn, Salzburg, Austria, 1715 Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680Katherine Heater, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Joseph Gaffino, Paris, 1769 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 Hanneke van Proosdij, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725 Elisabeth Reed, baroque cello, anonymous, 1673 William Skeen, five string baroque cello, Anonymous, Italy, c1680 David Tayler, archlute by Andreas von Holst, Munich, 2012 after Magno Tieffenbrucker, Venice, c1610 Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765 Produced by Meg Bragle ©2017 Voices of Music #Vivaldi#FourSeasons

Cynthia Miller Freivogel

Cynthia Miller Freivogel received a BA in musicology at Yale University and an MM in violin performance at the San Francisco Conservatory. In addition to being the leader and concertmaster of the Baroque Chamber Orchestra of Colorado, Ms. Freivogel plays with Brandywine Baroque in Wilmington, Delaware, and is a tenured member of Philharmonia Baroque Orchestra, based in the San Francisco Bay Area of California. She is a founding member and second violinist of the Novello Quartet, which is dedicated to the performance of the string quartets of Haydn and his contemporaries on period instruments. Ms. Freivogel frequently performs at Bay Area early-music venues with ensembles such as Magnificat, Voices of Music and American Bach Soloists, and on concert series at Old First, San Francisco Early Music Society and MusicSources. Ms. Freivogel spends summers playing violin in the Colorado Music Festival Orchestra in Boulder. She also played with the Tanglewood Music Center Fellowship Orchestra, San Luis Obispo Mozart Festival, the State Orchestra of Sao Paulo, Brazil, Apollo’s Fire, Portland Baroque, American Russian Young Artist’s Orchestra, and Amerus chamber players. Ms. Freivogel studied principally with Camilla Wicks and Marylou Speaker Churchill, and is a dedicated and certified Suzuki teacher.